Archives for category: Inspirations.

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When starting a new project, it’s wise to find some inspiration to get your wheels moving and clogs ticking. Artist Gracie Hagen’s photography has some great resemblance to some of the idea’s I have brewing in my head for this project.

Her project ILLUSIONS OF THE BODY (NSFW) really grabbed my attention. She captures her models posing the best the can to look flawless and attractive, and then she gets them to do the most unattractive pose they can. This says SO much about the human body, our flaws and imperfections and how we can disguise them etc. She’s definitely an artist model I will be using for this project.

THIS ARTICLE has more information on Hagen’s Illusions of the body.

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Ben Pearce is a local artist, sculptor and designer. He currently works for David Trubridge as his marketing manager. ((  David Trubridge’s website and Ben Pearce’s website ))

Ben came in today to talk about his practice as an artist and marketing manager and had some important points to share with us on some self marketing tips and busting art ‘myths.’
Ben’s Art Myth Busters were all relevant to us as students, because these are myths we have ALL heard…some of these myths I’ve even heard from a couple of tutors! Haha, oops?

Ben Pearce’s Art Myth Busters:
1. Artist’s are arseholes.
Ben assures us 98% of the successful artist’s he’s met are highly social and down to earth people.
2. It’s hard to make it.
There are a lot of ways to get seen and make it. For example, entering competitions or using social media.
3. It’s who you know.
Well actually, this one ISN’T a myth. You gotta get to know the people you want to work with.
4. You don’t need a dealer.
Sure is good to have one though.
5. It’ll happen when the time is right.
Wrong. Until you have momentum, you are your own dealer/promoter/accountant.
6. Lastly, the world has enough artists.
There are a lot of empty walls out there that could have your art on them. There’s not enough.

Ben didn’t just talk about the myths (and busting them) he also lent out a few more general tips that work for him. A few would include; keep up with your drawing, invest in an awesome camera and find ways to advertise yourself.

 

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Our task to talk about artist website’s and critique them has left me feeling questionable about whether this kind of thing really belongs on my blog. I’m not sure I want to upload critique after critique…because really, if it bores me to read, then it’s gonna bore you guys!

So what I’ve decided to do to please myself but also give my tutors what they need, I’m just uploading a few photo’s of a selection of my critiques. These can be read for assessment in my big clearfile folder.

I’ll give a short list of a couple of my favorite’s I’ve written about in my folder for any interested followers out there! check out their websites, because they are stunning!

TOM ZUST WEBSITE
EMMA BLACK WEBSITE
DER-ROESLER WEBSITE
THE YOK’S WEBSITE

Today we had Annika Bennett from A+E Gallery from Napier come speak to the class on Professional Practice. You can visit the A+E Website HERE.

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Annika began the lecture by giving us a list of her background and roles in the art industry.
She works as an Art Agent, for fine art and commercial sectors, she’s an Art dealer,
And she’s an art management consultant in which she works in branding and marketing for galleries, designers and artists.

Annika touched on a range of topics in a short time. She covered combining fine art practice alongside commercial practices. She talked about all the things she has to do as an Art Agent. She talked about professionalism. She went through a list of Do’s and Don’t s of approaching galleries and more. There was definitely a large amount of topics covered!

I was pleased that she covered the points of professionalism in the industry.
Her list of professional skills are all equally important for artists that want to appear in galleries, exhibitions or work alongside agents, dealers etc.
* You have to have communication skills.
* Come prepared. be prepared.
* You must meet and manage expectations.
* Scheduling and delivery must be planned and thought out well.
* Artist’s code of ethics!
* Learn about copyright. If you created it, You own it!
* Sales and Accounting have to be considered.
* And lastly, you must be able to work well in a team.

As someone who hasn’t exhibited a lot of work or approached a gallery, some of those factors are ones I would never have thought about. The same applies for the list of Do’s and Don’t s that Annika talked us through of approaching galleries. Many of the points she brought up surprised me, simply because I’d never thought about them before.

Overall, I really enjoyed the lecture and got heaps of notes from it to look back on.

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Rubens website: HERE

Ruben Ireland is an Illustrator I have admired for years. I’ve always felt my work has related to his in particular ways, like, we both work primarily in black and white aaand we like to include both animals and people into our work.

Googling his website to see if it’s as flawlessly created as his illustrations are, I was pleased to find his website my favorite out of all the ones I discovered.
It’s minimal, clean and easy to navigate through. His homepage features a basic slideshow of some featured pieces of his portfolio which you click and takes you to his full portfolio.
Down the bottom of his homepage are some click-through links to his social media accounts, which is handy because now I can follow his instagram..Ha!

His website contains all the necessary information without being cramped. He includes a bio link, contact details and shop. The shop section leads you to all the online retail he stores his prints.

Overall this is a website I feel I could closely base mine off of. The simple structure and overall feel of the site is an illustrator’s dream.

Ireland, R. (2014) http://www.rubenireland.co.uk/

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These are two of the artist models i am looking at for painting inspiration. These artist i have primarily chosen due to their colour palettes, animal interaction and creepy subject matter. It’s difficult with my theme of stigmata, because i don’t want to paint it like how it has been always painted, gorey and gothic. I’d like to take a new and contemporary approach to my theme, by painting the subject matter in a way that it has been made more subtle, but the idea is still there. I’d also like to play with colours that you wouldn’t typically use for religious/dark themes such as the one i’m working with. When looking at classical renaissance art, colour schemes revolve around dark browns, reds and dirty yellows. For my palette, i’d like to work with pastels, greens, pinks and blues. Putting a weird, and modern twist on my topic, almost making it seem surreal and trippy.

The top artist i’ve used here is Dilka Bear, and the bottom artist is Casey Weldon.
Dilka Bear often paints doll-like characters in long grassy areas, sometimes holding bizarre objects or animals with extra sets of eyes.
Casey Weldon has a wider range of subject matter, but usually sticks to her pastel theme and often incorporates animals into her concepts.

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This image is where i found my inspiration to use an abstract frame and shapes for the second of my two screens. The illustrator creates lots of pieces that involve pattern in some way, which was great for me to look through his online portfolio and get ideas and inspiration from what he does. This particular piece features a galaxy type feel which i thought would work nicely with my dog imagery.

Dan Elijah G Fajardo, ‘Cruel and Beautiful world.’ http://society6.com/product/Cruel-and-Beautiful-World_Print.

I’ve always written little poems down into various journals i’ve owned over the years. I’ve never really been serious about it, and it was more a way for me to vent rather than to create decent poetry. One of my inspirations for my poetry (and my art of course) was and is thee Mr. Tim Burton. I’ve already made a post about this incredible man, but this time i want to share one of his poems that i love, that belongs in  a book of mine “The Melancholy death of Oyster Boy & other stories” Written and illustrated by Tim Burton.

The Girl who turned into a Bed.

‘It happened that day
she picked some strange pussy willow,
Her head swelled up white
and soft as a pillow.

Her skin, which had turned
all flaky and rotten,
was now replaced
with 100% cotton.

Through her organs and torso
she sprouted like wings,
a beautiful set
of mattress and springs.

It was so terribly strange
that I started to weep.
But at least after that
I had a nice place to sleep.”

Burton, T. (1997) ‘The Melancholy death of Oyster Boy & other stories’, New York, U.S.A, Harper Collins Publishers, Pg 59.

Found this video on youtube and was blown away! Spray paint art has always fascinated me because of the skill a person must have to pull off outstanding work like this. 
Thought i would share because i was so impressed! It’s incredible seeing how the video begins and how the artist starts and what he has at the end (and in a very short time) is so inspirational.
Artist unknown.
retrieved from http://www.youtube.com/watch?v=xjQmb33UeGc

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I went to the Library at EIT today and found a book on Alex Pardee’s artwork in his book ‘Awful Resilient.’ Alex Pardee is an artist i became highly interested with when i was in my early teen years. His grotesque, scary and alien-like characters always amused me and i applied some of his styles’ characteristics to my work. He is an artist who has been highly influential in my artwork and i still appreciate his work and adore it. To me, Alex Pardee’s work is responsible for alot of the work i have created today inspired  by him and for this reason he relates to my ‘self portrait.’
Funnily enough the book is just as strange as his artwork is! The book was published with no page numbers and no titles on any of the works! It was interesting trying to figure out how i could APA reference this!

Pardee, A. (2010), Awful Resilient’, California, United States, Gingko Press, Pg 24.
( i had to count up to the page number so i’m hoping i was correct, ha!)